Grits !!!

Grits !!!
Groupe établit à Atlanta, et est composé de deux artistes Stacey Jones aka Coffee et Teron Carter aka Bonafide.
les lyrics sont un melange de métaphores et d'abstractions sans oublier le spirituel.
discographie:
Mental Realease 1995,
Factor of Seven 1997,
Grammatical Revolution 1999,
Art of Translation 2002,
Dichotomy A et B 2004.
le Grits prépare un nouvel album pour 2006.

en savoir plus

# Posté le mercredi 13 juillet 2005 20:15

Modifié le jeudi 14 juillet 2005 06:47

Tye Tribbett and GA

Tye Tribbett and GA
Born in Camden, New Jersey, Tye Tribbett is the son of a preacher man and a preacher woman. Growing up in his father's church, Tye learned to make music at an early age. "I've been playing all my life," he explains. "Before I knew my ABC's, I knew the ABC's on the keys."

Outside of church, Tye vividly recalls the evenings he spent in his garage. There, along with brother Terry, Tye constructed a makeshift rehearsal room that attracted local musicians as well as the 'players' from Philadelphia and Baltimore. As a teenager, he honed his skills as a keyboardist by accompanying such regional notables as Steve Middleton and the Tri-State Mass Choir of the Edwin Hawkins Music & Arts Seminar. Although he received frequent gig offers, Tye remembers wanting more. "We had made so much music in the garage that I started putting words to the music," he recalls, "and then I just needed a choir to deliver the songs, the message."

In 1996 he founded a gospel choir, Greater Anointing (G.A) . At first, the group consisted of his friends whose hearts were simply set on making great music. Tye knew from the beginning he'd struck gold, "That first rehearsal, it blew my mind," he says. "The musicianship, the quality of the voices and the spirit of the choir, the character of everybody&I knew that this was it. I knew that this is what I was supposed to be doing."

Whether it was intuition or destiny, later that year, under Tye's direction, G.A. went on to win first place in the national Gospel Choir Awards Competition sponsored by Wrigley's Chewing Gum. That remarkable performance caught the eye of the Grammy award-winning songwriter/producer David Foster. Awestruck, Foster promptly arranged for his close friend, country singer Faith Hill to meet the group. Amazed by their youthful show-stopping dance moves and heavenly voices, Hill embraced Tribbett and his choir instantly and, four years later, invited them to join her on tour.

The 2000 Faith Hill Tour was an eye-opener for Tye. As a gospel-bred musician he was wary of other audiences. Tye describes his turning point, "I was a gospel guy with a choir on a country tour. The experience hooked me up musically, though. I started writing differently. I saw that you could reach all kinds of people. So I switched up my style of writing because I thought these people needed to hear the message, too."

Tye & G.A. have performed with many of the finest artists in gospel including Yolanda Adams, Kim Burrell, Hezekiah Walker, John P. Kee, Mary Mary and Bobby Jones. In addition, Tye Tribbett & G.A have shared stages with world-class superstars. From Destiny's Child, India.Arie and Vanessa Williams to John Mellencamp, Don Henley and Sting, Tye & G.A. have worked with the crème de la crème of the music industry.

If he had to describe his sound, Tye laughs, "We are Earth, Wind & Fire meet Christ." But the album's musical depth can be attributed to his mix of influences. "The Yellow Jackets, Jaco Pastorius, Donny (Hathaway) and Stevie (Wonder) were all my favorites," he offers. "Today, there are artists like Erykah (Badu), The Roots and Soulquarians who I musically connect with. I grew up listening to the gospel greats, but John P. Kee's music was the first gospel music that was different and Kirk Franklin revolutionized it. They paved the way for me."

Although Life comes straight from the heart and soul of Tribbett, the project is also the product of "music un-defined or M.U.D.," he explains. "In the Bible, the Spirit is synonymous with water. So the Holy Spirit is water and we're the dust of the earth. Together, that makes us mud. As long as His Spirit is in us&just like clay, he can make us to be 'hip-hop.' He can make us 'pop'. He can make us 'country.' He can make us anything. But as soon as He's not in us, we'll dry up and we'll break under pressure. It is this range that exhibits dexterity and ultimately defines the soul stirring album, Life.

Driven by Tribbett's steadfast faith and vast talent, Tye Tribbett & G.A. are sure to leave their mark on gospel and beyond. There is no question that audiences are ready. As Tye asserts, "We can be anywhere because God is everywhere."
Tye Tribbet and Ga

# Posté le mardi 12 juillet 2005 19:02

Modifié le vendredi 01 juin 2007 07:26

Origine Negro Spiritual et du gospel.

Origine Negro Spiritual et du gospel.
L'histoire du Negro Spiritual débute avec la déportation des millions d'Africains par le Vieux Continent pour le commerce.
Pour rythmer le travail pénible et difficile dans les champs (interdiction de parler), les esclaves noirs pratiquent les Work Songs (chants de travail). Il s'agit de chants simples sans accompagnement. Ils utilisent le Shout qui est une technique de chant: phrase courte et cinglante. C'est une expression solitaire. La voix humaine devient alors un médiateur avec les dieux et les forces surnaturelles auxquels chaque ethnie différente soit-elle tente de s'accrocher pour survivre sur une terre encore inconnue.
Cependant, malgré les différences de langues entre chaque ethnie, le mélange avec la langue anglaise va s'opérer lentement. Les références des esclaves noirs sont désormais la Bible . L'utilisation du vocabulaire religieux est prépondérante. L'accompagnement instrumental est graduel. Dans un premier temps, il s'agit d'outils d'esclaves (hache, marteau, pioche, ...). Dans un second temps, c'est une musique clandestine qui se joue avec des tambours, des flûtes de roseau, des violons, et s'empreigne d'influences européennes (berceuses, gavottes).
Les premiers Negro Spirituals ou chants noirs spirituels de la révélation sont une libre interprétation des Ecritures Saintes.
En effet, les esclaves noirs s'identifient notamment aux Hébreux que les Egyptiens oppressent, mais qui finiront par être libérés par Moise. Les esclaves noirs attendent eux aussi leur libération.

Le mot Gospel vient du mot God (Dieu) et Spell (Parole). Les Gospel Hymns sont une première étape des Gospel Songs de 1930.

La figure emblématique de ces Gospel Songs est Charles Albert TINDLEY. Ses oeuvres sont nombreuses et laissent place à d'importantes improvisations. Ce pasteur noir méthodiste (1856-1933) publie en 1916 son recueil, intitulé New Songs Of Paradise. Une véritable référence musicale.
Le Gospel, c'est avant tout le combat contre l'Amérique raciste. C'est un partage des souffrances. Noirs émancipés mais toujours sous l'hégémonie blanche, surtout dans les Etats du Sud; d'où une très forte volonté de migration par des réseaux souterrains ou ferrés vers les grandes villes du Nord (Chicago, Detroit, New York). Ils ne s'engagent pas politiquement même s'ils restent fidèles au parti républicain, à Lincoln, leur "libérateur".
pour en savoir plus

# Posté le mardi 12 juillet 2005 17:53

Modifié le mardi 12 juillet 2005 18:27